Synopsis:
Music says things words never can. I love you. I miss you. I’m sorry I killed you.

Every night, Ceridwen Kinsley plays music on her rooftop for the spirit of her dead mother. A peaceful if odd ritual, until she witnesses a murder by something not quite human. The monstrous encounter earns her notoriety within the city and a visit from the reclusive Lord Protector Drystan Winterbourne.

Charged with protecting the backwater city of Teneboure by the king, Drystan is failing at his task, and he can’t afford another slip up. But when fate and the very monster he means to conquer bring Ceridwen to his notice, he seizes the opportunity and presents her with an offer: play music for him at his manor in exchange for the money her impoverished family desperately needs. Music eases the strain of his magic, and who better to hire than the woman whose tunes he secretly listens to at night?

At first, Ceridwen is put off by Drystan’s unkempt appearance and harsh demeanor, not to mention the odd ailment that plagues him. But as he embraces her passion for music and she draws the recluse out of his lonely tower, the two develop an unlikely attachment. Class lines begin to blur as fearful indifference shifts to unexpected desire.

However, the monster prowling the night isn’t their only enemy, and as terrible secrets come to light, even true love may not be enough to save them.

This retelling of Beauty and the Beast incorporates themes and motifs from Phantom of the Opera, and is set in a Bridgerton-esque world but with magic and strong gothic vibes. It should appeal to fans of romantic and atmospheric retellings and fairy tales by authors such as Hannah Whitten, Tessonja Odette, and Stephanie Garber.

Review:
“Music is the strongest form of magic.” (Loc 44 in the kindle edition of the book)

I was drawn to this as an avid Beauty and the Beast and Phantom of the Opera fan. I did like that Ceridwen plays the flute, though I am uncertain of whether or not the author has actually played before. There were several instances where it seemed as if the practical application of playing a woodwind instrument wasn’t considered, and there was definitely a missed opportunity for Ceridwen to mess up by going too high or low with notes when upset and needing to settle herself. I loved that this story gave our “beast” a hobby– that’s something I haven’t seen before, whereas usually the “phantom” has a musical hobby. It was quite interesting how music could reach Drystan in ways that nothing else could.

“Though he’d long enjoyed music, he’d never made a study of it himself. Though there, locked in an embrace with the woman he loved, he suddenly understood how two distinct melodies could come together to form something even more magical.” (page 326)

In some ways I thought that the evil was a bit overdone, but overall there were stakes, there’s a sweet love story, and an escape to a slightly gothic gaslamp setting. I didn’t particularly find the romantic scenes that enthralling, but perhaps they could be your cup of tea.

Star rating: ✯✯✯✯