Synopsis: There are too many secrets in the Paris Opera House and Christine Daaé knows them all, for her lover, Erik, the infamous Phantom of the Opera, is at their center. To protect Erik from the cruel world above, Christine must deceive her childhood friend and first love, Raoul, a man committed to destroying Erik. But will the lies and darkness claim Christine’s soul before she can save anyone?
Faced with the ghosts of the past and the demons of doubt, Erik and Christine must navigate a world intent on tearing them apart. Will their love be enough to overcome their pain? Will those seeking revenge against Erik rip the lovers asunder? Who will live and who will die when all the consequences come crashing down?
The third installment in The Phantom Saga brings this classic tale to a heartbreaking conclusion that turns the story beloved by generations on its head. Filled with lush romance, shocking twists, and haunting prose, Angel’s Fall gives the iconic story of The Phantom of the Opera a new ending that is both satisfying and shattering.
Review: Unconditional Love meets horrible tragedy in this novel. Raoul has fallen under a despicable spell, and one can only hope that he will snap out of it before all is lost. There were some serious moments of worry that there was no happy ending, and that being forced to live a façade was the only future that Christine could look forward to. This trilogy was gripping, striking, and I found it difficult to put down.
Christine Daaé ventures into the underground world of The Phantom of the Opera, a mysterious man named Erik who brought her fame and ecstasy as The Angel of Music. Now she must learn to trust her teacher as a man if she is to survive the cutthroat intrigues of the opera above. Despite the horror of Erik’s face and the darkness of his past, Christine is drawn to the man who awakens her soul with his music…as well as her desire.
As Christine discovers the truth beneath the Opera, danger grows above as her first love, Raoul, remains intent on winning Christine for himself. Can he save Christine from the darkness that seeks to consume her? Or will he find that Christine has already given in to the temptations of her strange angel? For it is Erik that knows Christine’s heart and will do anything to keep her.
The second novel in The Phantom Saga continues the journey that began with Angel’s Mask in a story full of darkness, lust, and hope. Erik’s past is revealed as Christine fights for her career along with her soul. Brimming with romance and twists, Angel’s Kiss tells the iconic love story of Erik and Christine with passion that leaves the reader no choice but surrender.
Review: “We all take whatever advantage we can to get where we want to be.” (Page 223)
While continuing in the lush and inviting descriptive world from the first book, Raoul has much more presence with Christine in this novel. Raoul is, plain and simply, in this reiteration, a hypocrite. As someone who was always a Phantom fan in the Phantom versus Raoul debate, this novel gave even more depth to my dislike of the Vicounte. Furthermore, there is more understanding of Raoul’s family that make it clear that appearances matter more than almost anything else. I absolutely adore the depth and characterization as well as storylines of the “side characters” Mason seamlessly weaved throughout the novel.
Every book in this series leaves you begging for more, and buying the next book to continue, no matter how late you stayed up reading to finish the one before.
Synopsis: The timeless tale of The Phantom of the Opera brought to life as never before…
Christine Daaé arrives penniless and hopeless at the steps of the great Paris Opera House, in search of an angel. What finds her instead is a man in a mask named Erik, a tortured soul masquerading as a ghost. Fascinated by Christine, Erik dons a new mask to be close to her: that of the Angel of Music. This strange patron awakens Christine’s voice and soul…as well as desires she cannot understand. Their adoration growing, Erik and Christine remain separated by deception and darkness, tangled in a web of lust and lies. How far will Erik go to be close to his eager student? And will Christine be able to forgive her angel when she finally sees past his mask to the monster beneath?
The first novel in The Phantom Saga takes readers on a lush, erotic journey from the depths of Paris’s catacombs to the glittering, ruthless world of the Opera’s stage. Full of diverse characters, rich detail, and intoxicating romance, Angel’s Mask reinvents the legend of the Phantom and Christine with passion and twists that will leave readers breathless.
For content/trigger warnings, please visit the author’s website.
Review: “Singing is breathing. And breathing is life, the conscious act of living. Somewhere deep within when you choose to breath, you choose to live. Some un-surrendering part of you chooses to continue.” (Page 73)
Firstly, this book gives more depth to the characters in Phantom of the Opera than I’ve seen in any other retelling. There were always some questions in the Andrew Lloyd Webber version of why someone who had only ever trained vocally was a ballet dancer (especially on pointe!). I loved that Mason’s Christine’s only dream was to sing on the stage of the opera, and that she knew she would have to work her way up to having any sort of job at all since she had missed the opportunity to audition for the chorus. I was truly enamoured with the depth of understanding and knowledge imbued in the vocal training, and was graced enough to hear from Jessica Mason herself that she has a degree in opera. This knowledge can be seen in such easy descriptions as, “Christine’s voice sparkled, pure and dark at the same time, like moonlight on a mountain stream, sweeping away any remaining doubt that she was an artist of the highest caliber.” (Page 184) For a real life reference to someone who has a pure and dark vocal tone at the same time, you can listen to Floor Jansen singing Élan.
Something I quite enjoyed about Mason’s version was the rich descriptions of the behind the scenes of the opera–the twists and turns, the tunnels, the roof. Everything was so well thought out and given intricate details so that the rooms can be thoroughly rendered in the mind, without the overwriting that leads to lack of interest/mind wandering. Other locations were also explained so well that it made layouts and wealth/lack thereof easy to see in the mind’s eye, such as Adele’s apartment, making this read a visual treat.
The romance within these books is so unbelievably well written that I cannot recommend this trilogy enough. There are definitely some trigger warnings, but overall, this book is a masterpiece and I am so glad I found out about it on Jessica Mason’s TikTok, and would highly recommend it to all who love Phantom of the Opera, and specifically Erik.
Amy S. Brown 